The Lost Letters
Catherine Greenwood
Disponibilité:
Ebook en format EPUB. Disponible pour téléchargement immédiat après la commande.
Aussi disponible en format PDF
Ebook en format EPUB. Disponible pour téléchargement immédiat après la commande.
Aussi disponible en format PDF
Éditeur:
Brick Books
Brick Books
Protection:
Filigrane
Filigrane
Année de parution:
2013
2013
ISBN-13:
9781771313605
Description:
Atmospherically light and stylistically expansive – poems that regard our givens as a gift.
Don McKay's description of The Pearl King and Other Poems, Catherine Greenwood's wonderful first book, also apply to The Lost Letters:'With discerning wit and a large range of styles and voices, she holds up each subject for contemplation as though it were a pearl. . . .'
At the centre of The Lost Letters is a sequence of radically diverse poems based on the story of Heloise and Abelard, truly lovers in a dangerous time, the twelfth century. The raw material is heavy, tension between flesh and spirit being the serious issue carried forward from the twelfth century into the twenty-first. But Greenwood's deft and delicate handling of scenarios of love requited but balked becomes a perceptive reading – extraordinarily inventive and constantly surprising – of contemporary secular society.
The Lost Letters creates a world of wonder tinged with sadness on behalf of so much that goes unnoticed, whether it's a bin of severed sows' ears, a lizard tethered by its tail who severs it by self-amputation, or a down-and-out old schoolmate.
Don McKay's description of The Pearl King and Other Poems, Catherine Greenwood's wonderful first book, also apply to The Lost Letters:'With discerning wit and a large range of styles and voices, she holds up each subject for contemplation as though it were a pearl. . . .'
At the centre of The Lost Letters is a sequence of radically diverse poems based on the story of Heloise and Abelard, truly lovers in a dangerous time, the twelfth century. The raw material is heavy, tension between flesh and spirit being the serious issue carried forward from the twelfth century into the twenty-first. But Greenwood's deft and delicate handling of scenarios of love requited but balked becomes a perceptive reading – extraordinarily inventive and constantly surprising – of contemporary secular society.
The Lost Letters creates a world of wonder tinged with sadness on behalf of so much that goes unnoticed, whether it's a bin of severed sows' ears, a lizard tethered by its tail who severs it by self-amputation, or a down-and-out old schoolmate.
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